“Mobile Suit Gundam” is a work that broke the pattern of conventional robot animation, oriented itself toward realism, and opened the curtain to a new era, all blended with the experience and reflections of director Yoshiyuki Tomino. This was not a mere deconstruction of discourse, but a search for newness and identity, a meaning that sought to differentiate itself from the old generation and give it new meaning based on the concept of the ‘Newtype’. Takaaki Yoshimoto, in his impression of “Gundam” points out “hesitation” as a limitation of the depiction possessed by the postwar generation.This is the limitation of “degraded adulthood”, and it has been evaluated as the manifestation of a naive anti-war ideology with hesitation, which seems to be regarded as a problematic consciousness that postwar anime has. Amuro Rei, the protagonist of “Gundam”, grows up by acquiring and controlling his father’s metapo robot. After acquiring the robot, the boy hesitates in the face of war, and later leaves the protection of his parents and stands on his own. Amro is another name for the baby-boomer generation that tried to distinguish itself from the old generation that struggled to survive in society and explore the possibilities for a new generation, with the absence of a traditional and patriarchal father.