With the development of the tourism industry, a phenomenon known as ‘content tourism’ has been actively taking place in subculture fields, where fans visit locations that serve as backgrounds for works. However, in the case of Korea, there have been geographical barriers due to the lack of indigenous content and the dominance of Japan, a country with a significant presence in subculture. Nevertheless, recently, new activities have been observed where temporary placeness is attributed to places unrelated to the locations featured in works. This suggests another possibility for content tourism that overcomes geographical disadvantages, and it is expected that Korea’s subculture fandom will engage in more active and efficient forms of tourism that are not constrained by specific locations.